COMMUNICATION STUDIES 331
PERSUASIVE SPEAKING
INSTRUCTOR: JIMMIE MANNING
Course Description (from KU Undergraduate Catalog)
Guided experiences in the preparation and presentation of discourse intended to influence outcomes of human interactions in various speaker-audience situations, including television. Special emphasis on speech styles in influencing thought, attitudes, and behavior.
Text and Materials
Benoit, W. L. (1995). A theory of image restoration. In Accounts, Excuses, and Apologies: A Theory of Image Restoration Strategies, pp. 63-95. Albany: State University of New York.
Davis, E. (1995). Sexism and the art of feminist hip-hop maintenance. In Walker, R. (ed.). To Be Real, pp. 127-141. New York: Anchor.
hooks, b. (1999). Mock feminism. In Goshgarian, G. (ed.). The Contemporary Reader, pp. 255-261. New York: Longman.
Slan, J. (1998a). Using humor from the platform. In Using Stories and Humor: Grab Your Audience, pp. 164-178. Needham Heights, MA: Allyn & Bacon.
Slan, J. (1998b). Where to find your sense of humor. In Using Stories and Humor: Grab Your Audience, pp. 179-202. Needham Heights, MA: Allyn & Bacon.
Tracy, K. (2002a). Narratives. In Everyday Talk: Building and Reflecting Identities, pp. 148-171. New York: Guilford.
Tracy, K. (2002a). Speech acts. In Everyday Talk: Building and Reflecting Identities, pp. 62-84. New York: Guilford.
Tracy, K. (2002a). Stance indicators. In Everyday Talk: Building and Reflecting Identities, pp. 172-184. New York: Guilford.
Course Goals
Individual assignment details are as follow:
ATTENDANCE, PARTICIPATION, AND DISCUSSION (100 points, or 10%)
Success in this course is dependent upon reading the textbook and understanding the material discussed in class as well as being an active part of the classroom community. Points for this portion of the course will be allotted based on a checkmark system. Each day class meets, one checkmark is available. Every time the class engages in an in-class activity, it is worth one checkmark. During discussions, those who meaningfully contribute will receive a checkmark. Viewing any student presentation (see the persuasive assignments for examples of these) is worth one checkmark (please note that this means if six speeches are delivered during a class period, then that class period is worth seven total checkmarks). At the end of the semester, the total number of checkmarks earned will be divided by the total number of checkmarks possible and multiplied by 100. That total will constitute this portion of your grade.
MINI-ASSIGNMENTS (100 points, or 10%)
Throughout the semester ten smaller assignments will be made. Each of these small assignments is worth ten points for a total of 100 points. All mini-assignments will be due the next class period after the assignment is made. Please see the schedule portion of this syllabus for more detail.
EXAMS (200 points, or 20%)
Two examinations worth 100 points each will be administered, one early in the semester and another at the end of the semester. The exams will be written and comprehensively based upon all course material covered up until the examination date. Exams typically are comprised of multiple choice, matching, short answer, and essay questions. Students will only be allowed to take examinations outside of the scheduled time period in case of an emergency (e.g. a verifiable death in the family, verifiable extreme illness, a fire or disaster, etc.).
PERSUASIVE ASSIGNMENTS (500 points, or 50%)
During the course of this class, you will create five persuasive artifacts or speeches: an art project, a talk show, an evocative speech, a debate, and an apologetic speech. For more details on how many points each specific assignment is worth, please see the grade book portion at the end of this syllabus.
ARTICLE REPORT (100 points, or 10%)
Each student will read an article related to current research on persuasive speaking or persuasive culture. This article will be assigned by the instructor. Students must locate a copy of the article, create an original and informative annotated bibliography for the article, and provide a copy of both for the instructor. More information about this assignment will be provided on a future date.
Tentative Class Schedule
Jan 21 Course review (syllabus distributed and discussed); Introductions; Mini-
Assignment: #1-14 on p. 18, plus a paragraph on what you want from the course
PART I. UNDERSTANDING PERSUASION THEORY
Jan 24 Discussion: Why Study Persuasion? (Chapter 1)
Jan 26 Lecture: What Constitutes Persuasion? (Chapter 2)
Jan 28 Media: Bowling for Columbine
Jan 31 Media: Bowling for Columbine; Discussion: How effective is the film?; Mini-Assignment: Paragraph on how you believe attitude comes into play in Bowling for Columbine
Feb 2 Lecture: Attitudes and Consistency (Chapter 3); Study Guide distributed
Feb 4 Lecture: Speech Acts (Tracy)
Feb 7 Exam: Persuasion Theory
PART II. EXPLORING ETHOS, PATHOS, AND LOGOS
Feb 9 Discussion: What is Credibility? (Chapter 4); Art Project assignment distributed
Feb 11 Discussion: How Does Likeability Affect Credibility? (Chapter 5); Mini-Assignment: Analyze the credibility and likeability of Al Gore, Anne Coulter, Margaret Cho, and Tom Hanks
Feb 14 Art conferences
Feb 16 Art conferences
Feb 18 Class viewing of art projects; Talk Show assignment distributed and groups announced
Feb 21 Discussion: How does visual persuasion work? (Chapter 14); Mini-Assignment: Find an image of one of your favorite paintings and write a paragraph explaining how it persuades you
Feb 23 Media: “Deer God” from Everwood; Mini-Assignment: What visual strategies were used for persuasion? How did they work?
Feb 25 Class work day (for talk show project); Evocative speech assignment distributed
Feb 28 Talk Show 1
Mar 2 Talk Show 2
Mar 4 Talk Show 3
Mar 7 Lecture: Motivational Appeals (Chapter 13)
Mar 9 Lecture: Structuring and Ordering Persuasive Messages (Chapter 9)
Mar 11 Lecture: Sequential Persuasion (Chapter 10)
PART III. REVISITING SPEECHWRITING
Mar 14 Discussion: How Does Language Use Affect Speeches? (Chapter 7); Mini-Assignment: Analyze the language use in “I Have a Dream” and “Matthew’s Passion” (available via Blackboard)
Mar 16 Lecture: Stance Indicators (Tracy); Mini-Assignment: Write a paragraph on how stance indicators and humor could be related
Mar 18 Discussion: Humor in Speechwriting (both Slan readings); Article Assignment distributed
Mar 28 Evocative Speeches Round 1
Mar 30 Evocative Speeches Round 2
Apr 1 Evocative Speeches Round 3
Apr 4 Evocative Speeches Round 4; Mini-Assignment: Fill out debate preference form
Apr 6 Lecture: The Format of a Debate; Activity: Mini-Debate; Debate assignment distributed
Apr 8 Debate research day; Debate teams and topics announced
Apr 11 Debates A & B
Apr 13 Debates C & D
Apr 15 Debates E & F
PART IV. THE ESOTERIC NATURE OF PERSUASION
Apr 18 Lecture: Esoteric Forms of Persuasion (Chapter 15)
Apr 20 Discussion: How is Organizational Rhetoric Esoteric? (Benoit); Apologia assignment distributed
Apr 22 Media: Hip-hop songs; Mini-Assignment: Write a paragraph on the esoteric nature of persuasion in hip-hop songs
Apr 25 Media: Waiting to Exhale
Apr 27 Media: Waiting to Exhale; Mini-Assignment: How does Waiting to Exhale persuade its audience? Is it persuasive speaking?
Apr 29 Discussion: Narrative (Tracy)
May 2 Discussion: Esoteric Elements and Ethics (hooks and Chapter 16); Article Assignment due; Final Exam Study Guide distributed
May 4 Apologia Speeches Round 1
May 6 Apologia Speeches Round 2
May 9 Apologia Speeches Round 3
May 11 Apologia Speeches Round 4
May 18 Final Examination (1:30 to 4 p.m.)