Gay, John. Poems on Several Occasions. Longon: n.p., 1731

Steely Call # LEL 11880

 

Headnote. “Tuesday; Or, the Ditty” is one part of a series in a pastoral poem called The Shepherd’s Week. According to Cooper, the collection as a whole was written by Gay as “an attack on [Ambrose] Phillips and his idealized pastoral poetry. Gay presented his shepherds as extremely down-to-earth and often rather crude. However, Phillips was not his only target.” According to David Nokes, another “target” was a man named Thomas Tickell. Any acclaim either Tickell or Phillips received for his own pastorals stemmed, at least partially, from “political favouritism.” Both Tickell and Phillips advocated a simplistic and condescending view of the pastoral. They believed that the “[p]astoral did not involve holding a mirror up to nature, but pulling a little decorative wool over the readers’ eyes. Only the most conventional and stylized misfortunes could be allowed to disturb the tranquility of this bucolic world” (121-122). So while literally this poem is the story of a shepherdess jilted by a swain, beneath the surface is mockery. It shows its readers that life, whether rural or urban, maintains a complexity inherent to all human beings. The pains suffered in love transcend geographic location, and rural life is not as simplified as some would have it believed to be. Gay’s pastorals are a stark contrast to those of his counterparts.

 

 

 

Tuesday;

Or, the

Ditty

 

Marian.

 

Young Colin Clout, a lad of peerless meed[1];

Full well could dance, and deftly tune the reed[2];

In ev’ry wood his carrols sweet were known;

At ev’ry wake his nimble feats were shown.

When in the ring the rustick routs[3] he threw,

The damsels pleasures with his conquests grew;

Or when aslant the cudgel[4] threats his head,

His danger smites the breast of ev’ry maid,

But chief of Marian. Marian lov’d the swain[5],

The Parson’s maid, and neatest of the plain.

Marian that soft could stroke the udder’d cow,

Or lessen with her sieve the barley mow[6];

Marbled with sage the hard’ning cheese she press’d,

And yellow butter Marian’s skill confess’d

But Marian now devoid of country cares,

Nor yellow butter nor sage cheese prepares.

For yearning love the witless maid employs,

And Love, say swains, all busie heed destroys.

Colin makes mock at all her piteous smart[7],

A lass that Cic’ly[8] hight, had won his heart,

Cic’ly the western lass that tends the kee[9],

The rival of the Parson’s maid was she.

In dreary shade now Marian lyes along,

And mixt with sighs thus wails in plaining[10] song.

 

 Ah woful day! Ah woful noon and morn!

 

When first by thee my younglings[11] white were shorn,

Then first, I ween[12], I cast a lover’s eye,

My sheep were silly, but more silly I.

Beneath the shears they felt no lasting smart,

They lost but fleeces while I lost a heart.

 

 Ah Colin ! canst thou leave thy Sweetheart true!

What I have done for thee will Cic’ly do?

 

Will she thy linnen wash or hosen darn,

And knit thee gloves made of her own-spun yarn?

Will she with huswife’s hand provide thy meat,

And ev’ry Sunday morn thy neckcloth plait[13]?

Which o’er thy kersey doublet[14] spreading wide,

In service-time[15] drew Cic’ly’s eyes aside.

 

Where-e’er I gad[16] I cannot hide my care,

My new disasters in my look appear.

White as the curd my ruddy cheek is grown,

So thin my features that I’m hardly known;

Our neighbours tell me oft in joking talk

Of ashes, leather, oatmeal, bran and chalk;

Unwittingly of Marian they devine,

And wist[17] not that with thoughtful love I pine.

Yet Colin Clout, untoward[18] shepherd swain,

Walks whistling blithe, while pitiful I plain[19].

 

Whilom[20] with thee ‘twas Marian’s dear delight

To moil[21] all day, and merry-make at night,

If in the soil you guide the crooked share[22],

Your early breakfast is my constant care.

And when with even hand you strow the grain,

I fright the thievish rooks[23] from off the plain.

In misling[24] days when I my thresher heard,

With nappy[25] beer I to the barn repair’d;

Lost in the musick of the whirling flail[26],

To gaze on thee I left the smoaking pail:

In harvest when the Sun was mounted high,

My leathern bottle did thy drought supply;

When-e’er you mow’d I follow’d with the rake,

And have full oft been sun-burnt for thy sake;

When in the welkin[27] gath’ring show’rs were seen,

I lagg’d the last with Colin on the green;

And when at eve returning with thy carr[28],

Awaiting heard the gingling bells from far;

Strait on the fire the sooty pot I plac’t,

To warm thy broth I burnt my hands for haste.

When hungry thou slood’st staring, like an Oaf,

I slic’d[29] the luncheon from the barley loaf,

With crumbled bread I thicken’d well thy mess.

Ah, love me more, or love thy pottage less!

 

Last Friday’s eve, when as the sun was set,

I, near yon stile[30], three sallow[31] gypsies met.

Upon my hand they cast a poring look,

Bid me beware, and thrice their heads they shook.

 

They said that many crosses I must prove,

Some in my worldly gain, but most in love.

Next morn I miss’d three hens and our old cock,

And off the hedge two pinners[32] and a smock.

I bore these losses with a christian mind,

And no mishaps could feel, while thou wert kind.

But since, alas ! I grew my Colin’s scorn,

I’ve known no pleasure, night, or noon, or morn.

Help me, ye gypsies, bring him home again,

And to a constant lass give back her swain.

 

 Have I not sate[33] with thee full many a night,

When dying embers were our only light,

When ev’ry creature did in slumbers lye,

Besides our cat, my Colin Clout, and I?

No troublous thoughts the cat or Colin move,

While I alone am kept awake by love.

Remember, Colin, when at last year’s wake,

I bought the costly present for thy sake,

Couldst thou spell o’er the posie[34] on thy knife,

And with another change thy state of life?

If thou forget’st, I wot[35], I can repeat,

My memory can tell the verse so sweet.

As this is grav’d[36] upon this knife of thine,

So is thy image on this heart of mine.

But woe is me ! Such presents luckless prove,

For Knives, they tell me, always sever Love.

 

Thus Marian wail’d, her eyes with tears brimful,

When Goody Dobbins brought her cow to bull.

With apron blue to dry her tears she sought,

Then saw the cow well serv’d, and took a groat[37].

 

 


Works Cited

Burgess, C.F., ed. The Leters of John Gay. Oxford: The Clarendon Press, 1966.

Cooper, Catherine. “Satire in the work of Jonathan Swift and John Gay.” Online

posting. Apr. 2001. Jonathan Swift and John Gay: English Literature Essays.

2003, March 3. < http://www.english-literature.org/essays/swift_gay.html >.

Faber, G.C., ed. The Poetical Works of John Gay. New York: Russel & Russel, 1969.

Nokes, David. John Gay. A Profession of Friendship. New York: Oxford University

            Press, 1995.

Oxford English Dictionary Online. The Public Library of Cincinnati and Hamilton

(Online). 5, March 2003. < http://dictionary.oed.com/entrance.dtl >.

 

 



[1] Merit, excellence, worth.

[2] rustic musical pipe.

[3] A (heavy) blow or stroke.

[4] A short thick stick used as a weapon; a club.

[5] A country gallant or lover; hence gen. A lover, wooer, sweetheart, esp. in pastoral poetry. However, can also refer to a male servant, serving-man; an attendant, follower.

[6] A heap of grain or hay in a barn.

[7] Mental pain or suffering.

[8] A popular name of several umbelliferous plants, almost co-extensive with chervil, a garden pot-herb.

[9] A west-country word for kine or cows.

[10] Plaintive, mourning, complaining.

[11] A young animal; also a young scholar or student; a beginner.

[12] In regard to what is present or past: To think, surmise, suppose, conceive, believe, consider.

[13] To fold (a woven or other favric, etc.); esp. to fold flat, to double; to gather in pleats. “neckcloth”: a cloth worn round the neck; a cravat, neckerchief.

[14] A close-fitting body-garment, with or without sleeves, worn by men from the 14th to the 18th centuries. “kersey”: made of kersey.

[15] Service here could be referring to Colin’s occupation as a servant, or it could be referring to the time of worship (or both).

[16] To go wondering in desire or thought.

[17] To conjecture (as to the unknown or obscure); to make an inference by conjecture, insight, intuition, or other means than actual information. “wist”: variation of whished.

[18] Of persons (or animals), their disposition, etc.: Difficult to manage, restrain, or control; intractable, unruly, perverse.

[19] Complain. “blithe”: exhibiting gladness: jocund, merry, sprightly, gay, mirthful.

[20] At some past time; some time before or ago; once upon a time.

[21] To toil, work hard, drudge.

[22] The iron blade in a plough which cuts the ground at the bottom of the furrow; a ploughshare.

[23] A black, raucous-voiced European bird nesting in colonies; one of the commonest of the crow-tribe. “strow”: to be spread or scattered upon (a surface).

[24] Of a day, weather, etc…

[25] Of intoxicating liquors, chiefly ale: having a head, foaming; heady, strong.

[26] An instrument for threshing corn by hand.

[27] The apparent arch or vault of heaven overhead; the sky, the firmament.

[28] Applied locally and at special periods to various vehicles in particular. Also, from 16th to 19th c. chiefly poetic, with associations of dignity, solemnity, or splendour; applied also to the fabled chariot of Phaethon or the sun, and so to that in which the moon, stars, day, night, time, are figured to ride in their grand procession.

[29] Sliced.

[30] An arrangement of steps, rungs, etc… contrived to allow passage over or through a fence to one person at a time, while forming a barrier to the passage of sheep or cattle. “yon”: A visible object at a distance but within view.

[31] Of the skin or complexion: Having a sickly yellow or brownish yellow colour.

[32] A coif with two long flaps, one on each side, pinned on and hanging down and sometimes fastened at the breast.

[33] To surfeit or cloy by gratification of appetite or desire; to glut, satiate.

[34] To consider, contemplate, scan intently. “posie”: A short motto, originally a line or verse of poetry, and usually in patterned language, inscribed on a knife, within a ring, as a heraldic motto, etc…

[35] To know.

[36] Engraved.

[37] The English groat coined in 1351-2 was made equal to four pence. “bull”: to gender with (the cow).